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</html><description>[vc_row type=&#x201D;in_container&#x201D; full_screen_row_position=&#x201D;middle&#x201D; column_margin=&#x201D;default&#x201D; column_direction=&#x201D;default&#x201D; column_direction_tablet=&#x201D;default&#x201D; column_direction_phone=&#x201D;default&#x201D; scene_position=&#x201D;center&#x201D; text_color=&#x201D;dark&#x201D; text_align=&#x201D;left&#x201D; row_border_radius=&#x201D;none&#x201D; row_border_radius_applies=&#x201D;bg&#x201D; overflow=&#x201D;visible&#x201D; overlay_strength=&#x201D;0.3&#x2033; gradient_direction=&#x201D;left_to_right&#x201D; shape_divider_position=&#x201D;bottom&#x201D; bg_image_animation=&#x201D;none&#x201D;][vc_column column_padding=&#x201D;no-extra-padding&#x201D; column_padding_tablet=&#x201D;inherit&#x201D; column_padding_phone=&#x201D;inherit&#x201D; column_padding_position=&#x201D;all&#x201D; column_element_spacing=&#x201D;default&#x201D; centered_text=&#x201D;true&#x201D; background_color_opacity=&#x201D;1&#x2033; background_hover_color_opacity=&#x201D;1&#x2033; column_shadow=&#x201D;none&#x201D; column_border_radius=&#x201D;none&#x201D; column_link_target=&#x201D;_self&#x201D; column_position=&#x201D;default&#x201D; advanced_gradient_angle=&#x201D;0&#x2033; gradient_direction=&#x201D;left_to_right&#x201D; overlay_strength=&#x201D;0.3&#x2033; width=&#x201D;1/1&#x2033; tablet_width_inherit=&#x201D;default&#x201D; tablet_text_alignment=&#x201D;default&#x201D; phone_text_alignment=&#x201D;default&#x201D; animation_type=&#x201D;default&#x201D; bg_image_animation=&#x201D;none&#x201D; border_type=&#x201D;simple&#x201D; column_border_width=&#x201D;none&#x201D; column_border_style=&#x201D;solid&#x201D; gradient_type=&#x201D;default&#x201D;][nectar_highlighted_text color_type=&#x201D;regular&#x201D; style=&#x201D;full_text&#x201D; highlight_expansion=&#x201D;default&#x201D;] About the partners [/nectar_highlighted_text][divider line_type=&#x201D;Full Width Line&#x201D; line_thickness=&#x201D;1&#x2033; divider_color=&#x201D;default&#x201D;][/vc_column][/vc_row][vc_row type=&#x201D;in_container&#x201D; full_screen_row_position=&#x201D;middle&#x201D; column_margin=&#x201D;default&#x201D; column_direction=&#x201D;default&#x201D; column_direction_tablet=&#x201D;default&#x201D; column_direction_phone=&#x201D;default&#x201D; scene_position=&#x201D;center&#x201D; text_color=&#x201D;dark&#x201D; text_align=&#x201D;left&#x201D; row_border_radius=&#x201D;none&#x201D; row_border_radius_applies=&#x201D;bg&#x201D; overflow=&#x201D;visible&#x201D; overlay_strength=&#x201D;0.3&#x2033; gradient_direction=&#x201D;left_to_right&#x201D; shape_divider_position=&#x201D;bottom&#x201D; bg_image_animation=&#x201D;none&#x201D;][vc_column column_padding=&#x201D;no-extra-padding&#x201D; column_padding_tablet=&#x201D;inherit&#x201D; column_padding_phone=&#x201D;inherit&#x201D; column_padding_position=&#x201D;all&#x201D; column_element_spacing=&#x201D;default&#x201D; background_color_opacity=&#x201D;1&#x2033; background_hover_color_opacity=&#x201D;1&#x2033; column_shadow=&#x201D;none&#x201D; column_border_radius=&#x201D;none&#x201D; column_link_target=&#x201D;_self&#x201D; column_position=&#x201D;default&#x201D; gradient_direction=&#x201D;left_to_right&#x201D; overlay_strength=&#x201D;0.3&#x2033; width=&#x201D;1/1&#x2033; tablet_width_inherit=&#x201D;default&#x201D; tablet_text_alignment=&#x201D;default&#x201D; phone_text_alignment=&#x201D;default&#x201D; animation_type=&#x201D;default&#x201D; bg_image_animation=&#x201D;none&#x201D; border_type=&#x201D;simple&#x201D; column_border_width=&#x201D;none&#x201D; column_border_style=&#x201D;solid&#x201D;][toggles style=&#x201D;minimal&#x201D; accordion=&#x201D;true&#x201D; accordion_starting_functionality=&#x201D;closed&#x201D;][toggle color=&#x201D;Default&#x201D; title=&#x201D;Sandra Ahman &#x2013; Sweden&#x201D;][vc_column_text el_class=&#x201D;about-partner&#x201D;]Project leader and producer at the Stockholm Museum of Women&#x2019;s History My journey at the museum started in january 2019 as an intern &#x2013; just before the museum opened. Now, I&#x2019;m a project leader and producer planning and coordinating our events and producing content to our digital channels. I&#x2019;m also in charge of our project Kvinnans Plats, a podcast that tells stories about women&#x2019;s history and raises questions about sexuality, beauty norms, taxi drivers, feminist movements, basketball and the first women&#x2019;s shelter for Roma women in Sweden. I&#x2019;m also the official photographer at the museum. As a producer I get the opportunity to combine creativity with my passion for people, equality and representation. My background is pretty diverse. Before joining the museum I graduated from university with two bachelors &#x2013; one in Social Anthropology and one in Media and Communication. Choosing a path has not been without confusion. Due to my curiosity (and restlessness) I had some gap years as a student both working and traveling, collecting experiences from different fields. I&#x2019;ve mainly worked within elder care and as a social worker coaching young people with autism in their daily life. During my studies I also worked with equality and communication projects fo the Red Cross and KTH (Royal Institute of Technology in Stockholm).[/vc_column_text][/toggle][toggle color=&#x201D;Default&#x201D; title=&#x201D;Pascale Bonniel Chalier &#x2013; France&#x201D;][vc_column_text][/vc_column_text][vc_column_text el_class=&#x201D;about-partner&#x201D;]Trainer and Consultant, graduated in management and European studies (Paris 8) I founded the Master in &#x201C;Cultural development and management&#x201D; in ULL2 in 1989. Since then, I have been part time teacher at university and at ENSATT to teach cultural policies, project management, European cultural issues. I work part time as consultant for public authorities and cultural organisations for strategic development and cultural policies. After many years committed as deputy Mayor in Lyon, I founded an agency specialised in cultural engineering. From 2016 to 2019, I implemented the evaluation of five cultural large cooperation and network supported by Creative Europe program. I recently committed as member of the Advisory Board of the H2020 ARTIS consortium leaded the university of Vienna, Faculty of psychology.[/vc_column_text][/toggle][toggle color=&#x201D;Default&#x201D; title=&#x201D;Julien Breunig &#x2013; Germany&#x201D;][vc_column_text el_class=&#x201D;about-partner&#x201D;]B.Sc., student assistant to Eva Krivanec within the Shakin&#x2019; project and an M.Sc. Student in Human-Computer Interaction at Bauhaus-Universit&#xE4;t Weimar I completed a B.Sc. in Media-Informatics at LMU Munich. My interests are focussed on the ways we use technology to pass on information and making it accessible to an audience with very diverse needs.[/vc_column_text][/toggle][toggle color=&#x201D;Default&#x201D; title=&#x201D;Pierre Brini &#x2013; France&#x201D;][vc_column_text el_class=&#x201D;about-partner&#x201D;]Head of training and support actions at le LABA I am a specialist in the different European programmes (LEADER, INTERREG, ERASMUS+, Creative Europe&#x2026;), in the creative and cultural sector and in entrepreneurship. I am involved in initial and lifelong training (ARTES, ARDEC, la Belle Ouvrage) with public and private actors. I have accompanied more than 150 structures in 10 years. Former director of Mezzanine Spectacles and former co-director of the European cultural network Banlieues d&#x2019;Europe, I am also an associate lecturer at the Grenoble Institute of Political Studies.[/vc_column_text][/toggle][toggle color=&#x201D;Default&#x201D; title=&#x201D;Chimen Castaing &#x2013; Sweden&#x201D;][vc_column_text el_class=&#x201D;about-partner&#x201D;]Senior project leader at the Stockholm Museum of Women&#x2019;s History I started at the museum in september 2021 to pursue long-term projects and collaboration with members and partners in the museum and culture sector. But in addition to conducting collaborations I also work with our strategic and brand-building communication and how we can find new financing models to develop our museum. Since we do not own our own permanent building where we as a museum can stand as a clear sender, it is also part of my job to find new ways for us to be seen, either in the city or through collaboration and participation with other actors. In addition to my commitment to communication and culture, I also have a great interest in migrants&#x2019; rights and politics in general. In 2015, I was involved in starting Refugees Welcome Stockholm. We created an organization that mainly worked with the refugee reception center in central Stockholm and ran a shelter for transit refugees. I was responsible for communication, campaigning for donations and coordinated volunteers, and working to create opinion in the media. I am also active and committed to gender equality and diversity issues and ran in the autumn of 2017 #metoo call-out for the restaurant industry, where my goal was to create a platform for the voices that otherwise may not always be heard.[/vc_column_text][/toggle][toggle color=&#x201D;Default&#x201D; title=&#x201D;Sarah Cordonnier &#x2013; France&#x201D;][vc_column_text el_class=&#x201D;about-partner&#x201D;]PhD, co-responsible of the MA Development of international artistic and cultural projects since 2015 In my research and teaching, both practically and theoretically, I focus on the circulation of academic knowledge and other cultural objects &#x2013; from my first doctoral investigation of the uses of humanities and social sciences in the contemporary arts, to my most recently published article, in which Camille Jutant and I analyzed the empowering effects of knowledge within an online community of knitters. I pay particular attention to the social and critical appropriations of the tools of inquiry, whether to understand them or to foster them, asking questions such as: what are the boundaries and passages between academic knowledge and daily life? What does dissemination of knowledge do to institutions, to biographical experiences, and to knowledge itself?[/vc_column_text][/toggle][toggle color=&#x201D;Default&#x201D; title=&#x201D;Marijana Cvetkovic &#x2013; Serbia&#x201D;][vc_column_text el_class=&#x201D;about-partner&#x201D;]BA in art history at the University of Belgrade and MA in UNESCO Chair Cultural Policy and Cultural Management in the Balkans at the University of Arts Belgrade and University Lyon 2. I am...</description><thumbnail_url>https://shakinproject.eu/wp-content/uploads/2022/06/shakin-background.jpg</thumbnail_url><thumbnail_width>1778</thumbnail_width><thumbnail_height>1000</thumbnail_height></oembed>
